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v/a - lagniappe sessions, volume 1 - light in the attic - vinyl

LITA 155LP - 92781 - uslp - €27.99

New Copy

Genre: Wave / Pop / Rock

1. Of Montreal - All My Sorrows (Kingston Trio)
2. Sonny & The Sunsets - Tracy Had A Hard Day Sunday (West Coast Pop Art Experimental Band)
3. Ryley Walker - Everybody Is Crazy (Amen Dunes)
4. Dungen - Alberto Balsalm (Aphex Twin)
5. Little Wings - Eyes Without A Face (Billy Idol)
6. White Fence - Allison Road (Gin Blossoms)
7. Ultimate Painting - All I Wanna Do (Sheryl Crow)
8. Tashaki Miyaki - I Only Have Eyes For You (The Flamingos)
9. Matthew E. White - I%u2019ll Be Home (Randy Newman)
10. Kevin Morby - Caught In My Eye (The Germs)
11. William Tyler - She%u2019s As Beautiful As A Foot (Blue Oyster Cult)
12. Jennifer Castle - Walkin%u2019 Down The Line (Bob Dylan)




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LIMITED EXCLUSIVE RECORD STORE DAY/BLACK FRIDAY 2016 RELEASE - GOLD VINYL Digging globally, Aquarium Drunkard blog offers an eclectic array of features, interviews, mixtapes, and reviews spanning vintage garage, psych, folk, country, soul, funk, R&B and beyond. The scope is wide, but the motto is simple: Only the good shit.

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In 2011, Gage launched the Lagniappe Sessions, a regular recording series on the website and the weekly Aquarium Drunkard Show on Sirius/XMU featuring freeform selections, songs culled from artist�s record collections and inspirations. This co-release between Light In The Attic Records and Aquarium Drunkard Recordings documents the first five years of the series, collecting on vinyl for the first time a diverse lineup of obscure gems and familiar tunes refashioned into surprising and unexpected things. Psychedelic Swedes Dungen cover electronic pioneer Aphex Twin; of Montreal tap into the classic folk ballad �All My Sorrows�; troubadour Kevin Morby configures the blistering hardcore of the Germs into something more mystical. Some of the most familiar songs on Vol. 1 are the farthest out in terms of reinterpretation � White Fence reimagines the Gin Blossoms as a Paisley Underground outfit; guitarist William Tyler draws lines connecting the ragas of Sandy Bull to the progressive rock of Blue Oyster Cult.

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