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seeselberg - synthetik 1 - perv - vinyl

New Copy

Genre: Wave / Pop / Rock - Kraut / Cosmic / Synth

1. Overtüre - "Jeder Ist Heutzutage Glücklich" - If Someone Survives, We Will Have A Return - Match (Konditionsmusik - 1972)
2. Eintrachtkreis-Paranoia (Die 200jahrfeier Findet Nicht Statt - Kondominatsmusik - 1972)
3. Verhütungsfreudenwalzer (Kontinenzmusik Für Eine Akademie 1973)
4. Speedy Achmed (Verhaltensanweisung 1973)
5. Studentenzucker - "Tue Gern, Was Du Tun Mußt!" (Konfektionsmusik 1973)
6. "Die Menschen Sind Glücklich, Sie Kriegen, Was Sie Begehren, Und Begehren Nichts, Was Sie Nicht Kriegen Können - Laubsägebastler, Briefmarkensammler Und Brieftaubenzüchter Bilden Das Rückgrat Der Menschheit" (Kondolenzmusik 1973)
7. Phönix - 1972
8. "Was Dir Heute Freude Macht, Das Verschieb Nicht Über Nacht!" (Kondensmusik Aus Einem Konzert Im Gallery-House London - 1973)
9. B3. Auszug Aus Einem Konzert In Der Düsseldorfer Kunsthalle 1971

LP consisting of a selection of tapes and recordings of performances by Krautrock formation Seeselberg. Fan Club Pressing – Limited to 250 copies.

Brothers Wolf & Eckhart Seesselberg pioneered the modular synth experiments in 1970's Germany just as their peers Beaver & Krause, Tontos Expanding Head Band or The Silver Apples did in the USA. Their performances often took place in art galleries or Modern Art museums, where besides their sounds they also offered seminars to instruct the public into the art of synthesizer sounds.
Wolf Seesselberg became an electronic music enthusiast through his work at the Hamburg Schauspielhaus and under the influence of Swedish composer Karl-Birger Blomdahl and his electronic tone generator. His brother Eckhart devoted all his passion into building his own synthesizer, a process that lasted over ten years!
The good news is that they did record their performances, and a selection of those tapes recorded between 1971 and 1973 formed their 1973 LP "Synthetik 1", which was issued in a limited private pressing. Containing a way out sound, often ignoring the principles of standard rhythm and melody in favour of adventurous experimentation with the endless possibilities of the sythesizer, it's one of the most underrated kraut albums that nonetheless deserves to be up there with the early works of Cluster / Kluster or Conrad Schnitzler. (Music Emporium / Discogs)