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v/a - mirror to the soul : music, culture and identity in the caribbean 1920-72, deluxe limited edition 2x 180gm lp + download + dvd + insert - soul jazz records - vinyl

New Copy

Genre: Latin - West-Indies / Caribbean

1. André Toussaint - Nassau Cha Cha (1956) (BAHAMAS)
2. Cachao - Descarga Cubana (1957) (CUBA)
3. Carlos Malcolm and the Afro-Caribs - Filthy McNasty (1963) (JAMAICA)
4. Irakere - Bacalau Con Pau (1973)(CUBA)
5. Celia Cruz - Chango (1957) (CUBA)
6. Lord Brynner - The Queen Sings Calypso (1968) (TRINIDAD)
7. Peanuts Taylor - Canela (1965) (BAHAMAS)
8. Mark Holder - Saturday Night Reggae (1974) (GUYANA)
9. Edmundo Ros - London Is The Place For Me (1956) (ENGLAND)
10. Russ Henderson - West Indian Drums (1966) (ENGLAND)
11. Duke of Iron - Calypsonian Invasion (1957)(TRINIDAD)
12. El Gran Combo - Baila Mi Shinga Ling (1967)(PUERTO RICO)
13. Slim Smith and the Uniques - My Conversation (1968)(JAMAICA)
14. Grupo De Experimentación Sonora Del ICAIC %u2013 Repentino (1976) (CUBA)
15. Bebo Valdes And His Havana All Stars - Mambo Caliente (1954) (CUBA)
16. Duke of Iron - Vitalogy (1957)(TRINIDAD)
17. Conjunto Roberto Faz - Aprieta Suavecito (1977) (CUBA)
19. Ferrer and Puerto Rico 2010 - Para Los Rumberos (1972)(PUERTO RICO)
22. Count Ossie & Mystic Revelation Of Rastafari - Four Hundred Years (1974) (JAMAICA)
23. Gina Martin - Elegua (1957)(CUBA)
24. Manuel Santo y su Orchestra de La Habana - Mira Como Los Pollos (1954)(CUBA)
25. Lord Flea - Calypso Be Bop (1957) (JAMAICA)

Mirror to the Soul: Music, Culture and Identity in the Caribbean 1920-72’ is a massive new release from Soul Jazz Records comprising 2x deluxe Limited edition 180gm LP + Download + Insert + documentary Film about British Pathé in the West Indies 1920-72 on DVD.

The Film: A Documentary Film About British Pathé In The West Indies 1920-72.
Over two years in the making, Mirror to the Soul is a new documentary film about the Caribbean, a unique collaboration between Soul Jazz Records and British Pathé, made up entirely of newsreel footage (short news pieces of two or three minutes in length) filmed during the period 1922-1970.

British Pathé was established in London in 1910 to produce newsreels screened in cinemas throughout Britain before main feature films. In the 1950s, to compete with the new medium of television, Pathé began adding entertainment, cultural, musical and educational stories to hard news items. Pathé eventually closed production in 1970 after accumulating over 3,500 hours of documentary history and Soul Jazz Records/Films were given full access to these film vaults for the making of this new film.

As well as offering an insight into aspects of West Indian life, the film allows us to see how a private British film company presented a Caribbean identity to the outside world. Consequently the film tells us as much about British society and its own identity and values - especially in regard to attitudes towards its colonies and former-colonies - as it does those of the Caribbean itself.

The relationship between the Caribbean and Britain is explored through features and footage of the onward diaspora of West Indians to the ‘motherland’, from the fascinating footage of the arrival of the Empire Windrush in 1948 (including an interview with new arrival Lord Kitchener) to racial troubles and more.

This film presents many aspects of Caribbean life to the viewer. From Calypsonians to banana plantations, from Voodoo ceremonies to revolutionaries, as well as hurricanes, stingrays and flying fish, colonialism and independence, water diving, carnival – all presented together here into a uniquely fascinating document.

As well as the West Indian islands this film also includes footage of Venezuela, Belize, Colombia and Florida, USA, which form the wider Caribbean region. It documents the changing relationship between a number of islands and their friends or enemies - such as, for instance with Cuba and the USA – as we see with footage from the Cuban revolution onwards.

“A compelling work which looks to situate the history of the Caribbean as a part of the history of Britain. It provokes questions of national identity, authorship and representation. In using a non-chronological structure, the film takes on new meaning as a kaleidoscopic, Chris Marker-esque investigation of memory. A powerful, jigsaw-like testament to the beauty and importance of archive footage.”
British Film Institute

This album includes 21st century recordings of Haitian Voodoo and Rara music, Cuban Santeria and Latin Jazz, Gwo-Ka from Guadeloupe, Paranda and Dugu from Belize and more besides in this fascinating journey through some of the many roots musical styles of the Afro-Caribbean.