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orginal soundtrack - exploitation - enfant terrible - vinyl

New Copy

Genre: Soundtracks

1. Neugeborene Nachtmusik - Cookie Jar
2. Europ Europ - Affection Addict
3. Nihiltronix - Mass
4. Europ Europ - Hard Scores (Instrumental)
5. Distel - Fall
6. Former Descent - Accepting Transmissions
7. Europ Europ - Harsh Love (Female Version)
8. Sololust - Believe Me
9. Zarkoff - Wormwood Sonatina
10. Europ Europ - Stormy Pacific (Extended)
11. The Spectrometers - Mars En Train
12. Unité November - Novo Uomo
13. Neugeborene Nachtmusik - Han Dog
14. Embers - Swamp Thing (Instrumental)
15. oplen - Skikt
16. The New Age - Soft Touch

‘Exploitation’ is the new film by Dutch independent filmmaker Edwin Brienen. Enfant Terrible produced the soundtrack for this gothic-noir satiric fresco. 90 minutes of music to be enjoyed both as true soundtrack as well as a sequel to previous Enfant Terrible compilations

It will please fans of minimal electronics and (post) industrial music but also moves into different styles such as idm, tekno, angst pop and chanson... while always keeping a dark and cold mood and/or dream state feeling throughout...

A little more about Edwin Brienen… he enjoys poking at sensitive subjects of our post 9/11 era and post-postmodern period: religion, sex, and politics; from fundamentalist islam to the prudish christianism, through exuberant homosexuality, and the delusion of formated heterosexuality. This provocateur brings together in his artwork many contradictory features. The innocence that can be perceived in some of his movies is incongruous with his characters' excessive violence and inconsiderate nihilism. But this is just an apparent contradiction. What unites his movies is Brienen's frankness with which he displays a corrupt system. The honesty and instantness of his films risk to be mistaken for a lack of subtlety, but are in fact the striving for total freedom of expression.

A little more about the film… “Exploitation” uses the so-called ‘mise en abyme’ principle and shows a fictitious film in the film, called “Apocalypse, Part 3”: a breathtaking ‘Abendland’ of dreamy pictures and nightmarish visions. It’s all there: baphomets, paganism, bizarre costumes. Especially some old-time obsessions of the director are highly celebrated here: the esthetics of Death in June, the works of painter Arnold Böcklin, or Aleister Crowley’s Thelema spirituality.

The film had its premiere at the Lausanne Underground Film and Music Festival in October 2012.