hieroglyphic being - le jardin des chemins bifurquants - audiomer. - vinyl
AUDIOMER 008LP - 62712 - eulp - €9.99New Copy
Genre: Techno / Electro - Electronics
1. Rhythmes Circadiens
2. The Garden Of Forking Paths
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Jamal Moss is a house music producer but his influences run deep, from classic Industrial and Sun Ra to New Age mysticism and occult knowledge. Even his most beat-driven, dancefloor-ready productions slip the shackles of four-onthe-floor and hackneyed melody. The two side-long pieces on this album forgo overt drum patterns altogether, but the rest of Moss’s hallmarks are all in place: the distorted bass thump, hazy chords and layers of bleeping, rhythmic earworms all cobbled into a crude sense of form, one that’s more about decentred pulse than logical development or easy peaks and comedowns.
And it’s this lack of a centre that makes Moss’s music so striking. “Rhythmes Circadiens” never settles on a single path, as short chirping sequences flutter around dark, ominous chords and robotic thrusts. The listener is left to imagine the rhythmic tissue that connects these disparate elements. The B side, “The Garden Of Forking Paths”, pushes the contrast so far that the piece comes to occupy parallel worlds. A crunching, distorted riff – played on a keyboard but sounding lifted from a Metal record – threatens to engulf a taut helix of pinpoint synthesizer tones.
(Matt Wuethrich, The Wire, December 2011)
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