
v/a - bangs & works vol 1 - planet mu - vinyl

ZIQ 290LP - 57783 - uk3lp - €21.50
New Copy
Genre: Bass
1. DJ Elmoe - Whea Yo Ghost At, Whea Yo Dead Man
2. DJ Rashad - Teknitian
3. Tha Pope - Jungle Juke
4. DJ Rashad - Itz Not Rite
5. DJ Roc - Fuck Dat
6. RP Boo - Total Darkness
7. DJ Spinn - 2020
8. Tha Pope - All The Things
9. DJ Killa E - Star Wars
10. DJ Roc - One Blood
11. RP Boo - Eraser
12. DJ Lil Rome & DJ Yung Tellem - Kill Da Circle
13. DJ Lil Rome - I Go Hard
14. DJ Trouble - Bangs & Works
15. DJ Trouble - Fuck Um Up Jus Basics
16. DJ Elmoe - Yo Shit Fucked Up
17. DJ Yung Tellem - Freddy Vs Jason
18. DJ Trouble - Mosh Pit
19. Traxman - Compute Funk
20. DJ Diamond - Ready Mother Fucka
21. DJ Diamond - Freakazoid
22. DJ Nate - Ima Dog
23. DJ Clent - I Love You
24. DJ Nate - He Ain't Bout It
25. Traxman - The Comeback




After releasing albums by DJ Nate and DJ Roc, plus an EP by DJ Rashad, Planet Mu present their first compilation of music from the Chicago’s “Footwork” scene.
Footwork is a hyper-rhythmic, abstract dance music, pitched around 160bpm, that largely consists of a template of cut-up samples and
phrases that are twisted into repetitive rhythms and shapes, to offbeat, syncopated drum machine patterns and pumping sub-bass lines.
Until now, bar a few low key vinyl 12”s and local mix CDs plus tracks posted on sites like youtube and imeem, Footwork has remained very
local to Chicago. Although it is an evolution from the dominant form of house music in Chicago since the mid 90’s - ‘Juke’ or ‘Ghetto House’
– it is a splinter scene you won’t hear on local radio. Instead, the scene is based around competitive dances in vacant warehouses, karate
gyms and youtube where you will find DJs providing the soundtrack for a circle of spectators surrounding combatants (“footworkers”) battling
each other with their legs, using the particular style of high-speed, combat-dancing that Chicago has created in isolation.
The music on this compilation covers a spectrum of the style’s producers, from RP Boo, whose track ‘Baby Come On’ in the late 90s is regarded
as the first Footwork release, to established producers who have come through the Ghetto House scene such as DJ Roc, DJ Spinn,
Traxman, DJ Clent and DJ Rashad. To contrast, as well as the established DJs, Planet Mu have picked a number of young producers (DJ Nate,
DJ Diamond, DJ Elmoe, Tha Pope, DJ Killa E, DJ Lil Rome, Yung Tellem & DJ Trouble) whose music is less well known, and whose exposure
has come more through using social networking sites and youtube than through the established networks of the local Footwork scene.
Footwork is a utilitarian music, and although the tracks here have around the same tempo, different producers have singular styles. In reflection to the dancing it inspires, the rough, aggressive exterior of the music, with its dark themes and terms of combat, gives way to an incredible gracefulness at times, often combining intricate double-time abstracted drums with lush textures and choppy abstract sounds and a distinct
way of salvaging popular music past and present and putting it to good use by cutting it up into futuristic, angular shapes. First time
listeners may find the music bewildering, but the way the music utilizes recognizable features in unrecognizable ways is extraordinary: film
themes spread over the top of drums give the music a liquid grace, techno gives it a frantic darkness, hip hop samples at half-speed create
futuristic funk templates and freshen up stale breaks and chipmunked r&b samples often give the music a hallucinatory, otherworldly feel.
An important document of a fresh and fast-emerging scene, presented with full sleeve notes and artist interviews by blogger and archivist Dave Quam. Check!