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v/a - black man's pride 3: none shall escape the judgement of the almighty - soul jazz records - vinyl

SJRLP 421 - 107191 - uk2lp - €26.50

New Copy

Genre: Reggae / Dub

1. Horace Andy - Conscious Dreadlocks
2. The Gladiators - A Prayer To Thee
3. Freddie McGregor - Beat Down Babylon
4. The Manchesters - Selassie Bandman
5. The Mellodies - Dread Oppression
6. Big Joe - Jah Jah Help Us
7. Horace Andy - Oh Lord Why Lord
8. Lloyd Jones & The Super Natural Six - Get Up and Try
9. Wailing Souls - Can't Catch Me
10. The Nightingales - Jehovah
11. Alphonso Stewart - Its No Secret
12. Errol Dunkley - Satisfaction
13. Mr Manchester - Give Natty Dread Glory
14. Sugar Minott - Wrong Doers
15. Noel Campbell & The Gladiators Band - Sufferation
16. African Brothers - No Cup No Brock
17. Zoot Simms - When The Time Comes
18. Glen Miller - Whey No Dead




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This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists!

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Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage.
The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.

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